Kate greenstreet biography
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A Story that “Takes Place Everywhere”: Kate Greenstreet on the Ethics of Representation and the Cinematic Gaze
From Kate Greenstreet’s eponymous poem, “The Last 4 Things”
by Virginia Konchan
“I know what I tell myself. Sometimes he seems to be the camera/ (who we will be later).” And: “Born on this earth,/ we’re all alone tonight./ The sphere of mortal life, the fruiting spike, the ear.// Stand there./ I’ll take your photograph.” Being begins with the projection and recognition of ourselves in the gaze of another, Greenstreet reminds us: what does that projection look like in conceptual or post-lyric poetry, wherein all discourse is constructed (or constructivist), all poems, propositional realities, and all poets, supreme fictions, themselves? More importantly, how does the tenuous reality of our world, and art (as sustained projection), depend upon who tells the story, or control what is seen through, or in, the lens and frame? From Greenstreet’s chapbook, This is why I hurt • Agent: Katie Greenstreet Bio: Katie joined Paper Literary in 2022. A corporate lawyer bygd training, she worked for several large law firms before making the leap into publishing. She started her career in books as an assistant at ICM Partners in New York, where she supported a list of Booker, Pulitzer, and Nobel Prize-winning authors. She then moved to London and joined C&W, where she began building her own list while also working alongside Sue Armstrong and Sophie Lambert. At C&W, Katie discovered her passion for amplifying undiscovered voices and for getting stuck into projects editorially. At every step of the publication process, Katie prioritises the reach and longevity of her authors’ careers, and she is especially looking for clients with whom she can build enduring, long-term relationships. • Young Tambling Kate Greenstreet Ahsahta Press 2013, 176 pages, $20.00 ISBN 978193410335-7 August 7, 2015 March 31, 2013 (Easter Sunday) Dear Kate Greenstreet, I was reading through the notes at the end of Young Tambling the other night when I discovered a typo. I don’t point this out to be a pedant or a scold. inom am probably the last individ who should call attention to a typo in someone else’s work, but this one has a story behind it, so here it goes. You cite an essay by Martha P. Hixton, which in turn cites the Motif Index of Folklore bygd “Seth [sic] Thompson.” Thompson’s first name is actually “Stith.” inom had a hard time with it the first time inom saw it, too. What kind of a name is Stith? The reason I am aware of this is that Stith Thompson is a distant relative. My mother’s maiden name is Thompson. She’s from Detroit, and her father, John Thompson, was from Indianapolis. When my grandfather died, in 1977, he left my mot
Website: PaperLiterary.com
Preferred genres: Upmarket Commercial, Accessible Literary, Domestic and Psychological Suspense, Historical Fiction, Speculative Fictio Dear Kate Greenstreet
Young Tambling